Marshall Tucker Band headlining Rockin’ With Spirit event at Stone Pony to benefit Spirit of a Child Foundation

Asbury Park, NJ – They’re rebels with a cause.

The Marshall Tucker Band, one of the major Southern rock bands of the ‘70s with hits such as “Heard It In a Love Song,” “Fire On The Mountain,” “Can’t You See,” and “Take The Highway,” return to Asbury Park for the first time in 12 years on Sunday, June 16. They will be headlining the Rockin’ With Spirit concert event at The Stone Pony that evening to benefit the Spirit of a Child Foundation.

The Nick Clemons Band, featuring the son of “Big Man” Clarence Clemons, and Donovan Chapman, a former elite Special Operations Command Pararescue who served in the US Air Force for 11 years before pursuing American country music professionally, will also perform at the Rockin' With Spirit concert event, which will be only the second appearance in Asbury Park by The Marshall Tucker Band during the past 20 years.

Formed in Spartanburg, South Carolina in 1971, The Marshall Tucker Band’s style combines rock, country and jazz. The group has issued 37 albums, four of them earning Platinum and five Gold sales status. Still led by founding member and lead singer Doug Gray, the group has continued to write, record and tour, and entertain fans from around the world.

“After being around for over 40 years, it is an honor and gives us great pleasure to support the Spirit of a Child Foundation and the families they help,” said Gray. “Giving back to these organizations is the least we can do for the people who have been our family and friends for all these years. Looking forward to seeing old friends and our new families there.”

“The Stone Pony was chosen to host the event in order to help bring business back to the local economy of the Sandy-savaged Jersey shore,” said Spirit of a Child Foundation President Sharon Wynn, a former resident of Wall.

“I have been watching the devastation in New York, New Jersey and Connecticut. If this had been Myrtle Beach, Charleston or any of our coastlines we would be so sad to lose family, memories and property,” Gray wrote on Facebook three days after Superstorm Sandy struck last autumn, shortly before The Marshall Tucker Band’s semi-truck full of relief supplies headed north. “I have donated and will continue to work to help these people, many of which I know and love. They not only have supported the band forever but also support our beaches and South Carolina by visiting and having homes here.“

The Rockin’ With Spirit event will help fund the Spirit of a Child Foundation’s 2013 Parent-Child Project, a nature retreat for low-income families to participate in environmental education and activities that require family members to work together and build healthy communication skills on July 26-28 at NorthBay Adventure Camp in Elk Neck State Park, Maryland.

“The criterion for the participating families is that they are in a situation of financial hardship, such as a parent living with cancer, a family living in extreme poverty or a military family adversely affected by combat who may suffer from a physical or emotional injury, including post-traumatic stress disorder or a loss of a parent,” said Wynn.

Ten families will investigate and learn about the ecology of the Chesapeake Bay wetlands, which includes access to hiking trails within Elk Neck State Park. They will also experience the highest ropes course in Maryland, a newly-constructed low ropes course, 500-foot zip lines over the Chesapeake Bay, and an indoor and outdoor rock climbing wall. In addition, the Spirit of a Child Foundation will sponsor a country music concert during the weekend.

This year, the Spirit Of A Child Foundation has sought families in dire need of help because of Superstorm Sandy from Operation Homefront Tri-State, which serves New Jersey, New York, and Connecticut, and from UrbanPromise in Camden to attend the Parent-Child Project.

ABC’s 20/20 news magazine program with Diane Sawyer joined the Spirit of a Child Foundation in Colorado in 2007 to film footage for its special “Waiting on the World to Change,” which featured Camden as one of the country’s poorest and distressed cities.

More information on sponsorship packages, which include a pre-concert reception with The Marshall Tucker Band, is available at http://www.spiritofachild.org/rockinsponsor.htm. Tickets to the show can be purchased directly from the Spirit of a Child Foundation at www.spiritofachild.org.

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Media contact:
Charley Bruns; Charles Anthony Communication, Long Branch NJ
charley@charlesanthonycomm.net, 609.529.7801

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The news announcement above was issued today to local media.

A Cuban evolution?

The bearded one's time left on earth gets shorter. His brother talks of retirement. There are major changes in the leadership of Cuba that appear inevitable. Of course, the people on the island and the rest of the world have heard this before. Time will tell if the passing of the Castros will bring evolutionary or revolutionary change in one of the last bastions of communism on the planet.

One thing, however, is certain: Cuba's status as an international baseball power is history. This month's World Baseball Classic provided overwhelming evidence that Cuba is no longer an elite presence on a baseball diamond. Cuba's failures against Japan and South Korea during the 2009 WBC tournament were not an aberration. This year's elimination at the hands of the Kingdom of the Netherlands, a.k.a. Holland, was proof that Cuba is no longer an automatic finalist in international baseball tournaments.

Gold medalists in the 2004, 1996 and 1992 Olympic Games, and 12-time winners of the Pan American Games -- including 10 consecutive championships between 1971 and 2007 -- Cuba's elimination during the second round of this year's World Baseball Classic came on the heels of a third-place finish at the 2011 Pan American Games and runner-up spot in the 2008 Olympics (baseball was not played during the 2012 games) that sandwiched its 2009 WBC failure.

Different people will cite various reasons for Cuba's demise as an international baseball power. It's true that some of the country's stars have defected from the country, but this year's World Baseball Classic champion the Dominican Republic and other countries, including the United States, can also claim they were missing some of their best players during the WBC. The Kingdom of the Netherlands, with less than half its players affiliated with major league teams, can rightfully claim it had a bunch of second-rate pitchers and only a couple of budding stars on the field when beating the Cubans twice this month.

Cuba has clearly been surpassed by its neighbors the Dominican Republic and Puerto Rico as Caribbean baseball powers and, as demonstrated in other recent international baseball tournaments, by Japan, South Korea, the US, Canada -- and the Kingdom of the Netherlands, with its mix of players from Holland, Curaçao and Aruba -- elsewhere in the world. Time will tell if Cuba's downfall in baseball is part of a cycle that often happens in sports, or an evolutionary or revolutionary change that reflects broader developments in the country.

Inspiration for the ages

Like many happy, loving couples, they were enjoying each other's company as Saturday afternoon was turning to evening. She was wearing lipstick and a smartly coordinated outfit. He had jeans on, and said "honey" a few times while speaking to her about possible plans for the rest of the night.

They were huffing and puffing just a bit, with some sweat visible. They were, after all, working out in a gym.

After pedaling the stationery bicycle for a while, she stood and lifted weights. Then, she did some stretches. He worked out by the weight station, pulling the bar down several times, pausing a bit to talk, then doing some more repetitions. They commented about the music playing in the room.

They spoke some more about having been together for several years. He lived about 30 minutes away from her, but they would often be together on weekends and other occasions, just like other couples. They could often be seen on the beach, or at parties. Sometimes, they would venture into her building's steam room together.

As they prepared to leave the gym, he expressed how he was looking forward to the rest of the evening, perhaps a night that could include some additional physical activity with her. He leaned over to another man in the gym, as if to let him in on a secret, and whispered.

"I'll be 85 soon."

An artistic mission

She jumped inside the taxi
both relieved and tense.
Snow was falling in Long Branch
at the end of a long train ride,
and the station was bustling
with people walking,
cleaning off their cars,
or looking for their ride home.

"How long will it take to
get to Asbury Park?" she asked.
"Where?" the driver asked.
"717 Cookman Avenue,
the Parlor Gallery," she quickly answered.
"Hmm, maybe 20 minutes --
it's hard to know because of the snow,"
the driver answered.

Concerned, she looked at the
two other passengers and asked,
"Should I take a train?"

"Hmm, this is probably faster,"
one fellow passenger replied.
"The train makes a couple of
other stops before getting to
Asbury Park,
and then you have to walk."

The taxi moved slowly
out of the station.
She looked up and asked,
"Should I get my own cab?"
"That's probably not an option
at this point," the other passenger said.
"This isn't Broadway in New York."

"By the time we get there,
I'm going to have only ten minutes
to see the exhibit," she said.
"I was hoping to have more time,
but the train was delayed."

The fellow passenger encouraged her
to enjoy dinner at one of
Asbury Park's fine restaurants,
near the art gallery.
Her response after a silent pause
was simply to inquire whether
the Asbury Park train station had
an indoor seating area.


The taxi continued south
on Ocean Avenue,
preparing to drop off
the first person who,
before wishing his
fellow passengers well,
asked the woman:

"What artist could make someone want
to ride a train for almost two hours
just to see their work for ten minutes?"

"Jill Ricci."

Atlantic City rambling

It's the most fascinating town in New Jersey. And, for some, among the most boring. It rose from the sands of the Atlantic Ocean in 1854. But, few people bother with its beaches today. Parts of it are as surreal as the casinos on the strip at Las Vegas. Much of it, however, is a cold splash of water in the face.

Atlantic City, New Jersey, has contributed much to the world: inspiration for the world's most popular board game; hosting the world's most famous beauty pageant from 1921-2005; the first boardwalk in the U.S.; salt water taffy; the setting for many movies and TV shows. Decades after its heyday, it even managed to land the Democratic national convention which nominated Lyndon Johnson for president in 1964.

A rebirth was predicted after the first casino opened in Atlantic City in 1978. For more than a dozen years, it seemed to be happening. New buildings rose and major entertainers were booked, making Atlantic City among the most popular tourist destinations in the U.S. at one point.

The sun has been setting down on the city again the past 20 years, it seems. New construction has slowed, some casinos have been torn down and not replaced, and gambling revenues have fallen dramatically. The neighborhoods just a few blocks from the boardwalk never seemed to benefit much from the investments made in Atlantic City after gambling was legalized.

During a visit to one casino the first Saturday afternoon in January, there were lots of empty parking spots, many more empty than occupied stools by slot machines, and some closed restaurants and stores. Security guards ignored smokers who puffed away in non-smoking areas, and packs of teenagers walked easily through areas marked for patrons 21 and over.

Boardwalk pushcarts waited outside casino doors, offering gamblers a smoother and quicker trip past the historic Boardwalk Hall than they could expect driving on bumpy Atlantic Avenue, where traffic lights aren't synchronized. Perhaps it's symbolic of how the old and new in Atlantic City aren't quite in sync, and that the city's best days are seen in a rear view mirror, not straight ahead.

"Well now, evrything dies, baby, that's a fact
But maybe evrything that dies someday comes back"
-- Bruce Springsteen, "Atlantic City," 1982

No shore thing

During the first month after superstorm Sandy struck, much was said about about rebuilding the Jersey shore to be better than ever. Governor Christie, municipal officials and others across the region articulated how the beaches, boardwalks, attractions and businesses along the shore would be back for everyone to enjoy as always. A noble sentiment and the proper way to advance hope, certainly -- but no sure thing, realistically.

Can Seaside Heights ever be the same again? How about Point Pleasant and Keansburg? Or, Sea Bright? Long Beach Island? Can they really be rebuilt better than ever?

The mayor of Seaside Heights has mentioned the possibility of keeping the damaged roller coaster, the image of which will remain in many minds for years to come, partially submerged in the ocean as a tourist attraction. No matter how much money is invested in rebuilding boardwalk businesses to open in time for next summer, the crippled roller coaster is already being valued as a way to remember Seaside Heights' heyday -- as if its post-Sandy future may never top its past.

Could the same fate befall Point Pleasant, which in recent years has been challenged to retain its longstanding appeal to families? It's also difficult to imagine the mix of attractions in Keansburg retaining their appeal as an affordable family outing.

Its vulnerable position between the Atlantic Ocean and Navesink and Shrewsbury rivers cruelly exposed by Sandy at a time when global warming theorists are saying "we told you so," will most home and business owners in Sea Bright rebuild in a way to rekindle their best memories of years past?

Older Long Beach Island homeowners and some of their baby boomer children have been through this before. The Ash Wednesday storm of 1962 destroyed thousands of homes on the island, part of which was uninhabitable until that summer. The island rebounded, with some new homes built several feet off the ground for protection against future storms. Fifty years later, Sandy's winds and flooding brought a new round of destruction on Long Beach Island, and the cries to rebuild are being heard again.

Fortunately, some seaside towns were lucky to escape the worst effects of Sandy. Wildwood was unscathed, and all businesses in Long Branch's relatively new Pier Village, including its boardwalk restaurants, reopened within three weeks. Asbury Park will take more time to recover, but is expected to be back to normal well before next summer.

Today's children and the next generation will enjoy the replenished beaches, new boardwalks and contemporary attractions of a rebuilt Jersey shore. Some may appreciate stories about how things were before Sandy, but with each passing year find them less interesting.

People with a lifetime of wonderful Jersey shore memories will be grateful for all the efforts to rebuild the places they cherish. Like old family photographs destroyed by Sandy, however, it's no sure thing the Jersey shore they grew up with can ever be replaced.

What do you think?

Patti Smith

Asbury Park boardwalk. August 5, 1978. A damp afternoon was turning to evening. Inside a candy store, a few young people shadowed a woman wearing a brown jacket, hat and boots. The woman was Patti Smith, in town for a concert just a few doors away.

"Wow, I can tell I'm back in Jersey," Patti said to the fans around her, almost giggling. "The salt water taffy gives me pimples."

A few hours later, wearing the same brown jacket, hat and boots, Patti strolled on to the Asbury Park Convention Hall stage to the applause of a crowd already ignited by a stirring opening set by The Ramones. And, she squirted lighter fluid on them, figuratively, with a set that included "Because the Night," co-written by Bruce Springsteen and heard on many radio stations that year.

Less than a year later, shortly after the release of her fourth album, Wave, Patti Smith ended the first of her two sets at the Capitol Theatre in Passaic by saying, "I'm going backstage, eating a roast beef sandwich, and I'll be back."

She returned for her second set and, after a few minutes, told the crowd, "Oh, sh*t, I forgot my roast beef sandwich!" At the end of the concert, she waved goodbye. It proved to be a long goodbye -- she waited nine years before releasing her next album and some more before touring again.

Fast forward to December 15, 1995. Opening for Bob Dylan at The Electric Factory in Philadelphia, Patti Smith walked on stage as her band began to play and started singing and dancing barefoot. The crowd applauded her set, and cheered when she came back later in the evening to join Dylan on a duet of "Dark Eyes," which she ended by planting a kiss on her hero's cheek.

Patti Smith returned to concert touring this year, scheduling dozens of dates in the U.S. and Europe, where the popularity of this New Jersey-born Rock and Roll Hall of Fame inductee seems highest these days. On Friday night, she came back to her home state for a performance at the State Theatre in New Brunswick. Anyone who thought being 65 years old and on stage with her daughter would mellow the godmother of punk were proved wrong. Patti is still "outside of society...where I want to be," per the lyrics of one of her most popular and controversial songs.

She was in fine voice, despite her claim that the humidity was having an adverse effect on her singing. She danced on stage and even ventured into the crowd a couple times to dance with her fans. She spat out lyrics -- literally, at times -- with the same passion she showed at shows 30-40 years ago, and pleaded with fans to "Vote! Vote! Vote!" at the conclusion of "People Have the Power."

At one point during the New Brunswick concert, the predominantly 50+ crowd got particularly boisterous, yelling at Patti and at each other. She paused to listen, and asked, "Is there something controversial going on?" After the cacophony died down for a moment, she looked up at a heckler and yelled, "If you got a problem, come on down so I can give you a hundred dollars to get the f*ck out of here!"

She played some guitar, and ended the show by purposely breaking strings in a way that would've impressed Pete Townsend. She talked about the effect the pending arrival of Sandy was having on her body, and told stories about attending a scary movie in a New Jersey theater, hanging outside CBGB in New York, and a concert at Lincoln Center's Avery Fisher Hall that she'll always remember for many wrong reasons.

"This has been some night," Patti said before walking off the State Theatre stage at the end of her two-hour set on Friday night. "I'll never forget this show."

Nor will I and many others.